Most prisons and jails across the United States do not allow prisoners to have access to cameras. At a moment when an estimated 2.2 million people are incarcerated in the US, 3.8 million people are on probation, and 870,000 former prisoners are on parole, how can images tell the story of mass incarceration when the imprisoned don’t have control over their own representation? How can photographs visualize a reality that disproportionately affects people of color, and, for many, remains outside of view? Coinciding with Aperture magazine’s spring 2018 issue, “Prison Nation,” this exhibition addresses the unique role photography plays in creating a visual record of this national crisis, despite the increasing difficulty of gaining access inside prisons.
Since its early years, photography has been used to create and reenforce typologies of criminality, often singling out specific groups of people. Today, it is essential for photographers to provide urgent counterpoints and move beyond simplistic descriptions of the “criminal” or the imprisoned. Much of the work gathered here—from a recently discovered archive at San Quentin in California to portraits of prisoners participating in a garden program at Rikers Island in New York City or performing a passion play at Louisiana’s Angola prison, a facility located on the site of a former slave plantation—underscores the humanity and individuality of those incarcerated. Some projects explore the prison as an omnipresent feature of the American landscape, often serving as a local economic engine, or delve into the living conditions and social systems of prisons, while others address the difficult process of reentering society after incarceration. One series was produced in prison: Jesse Krimes made 292 image transfers with prison-issued soap while he served a five-year sentence.
Incarceration impacts all of us. Americans, even those who have never been to a prison or had a relative incarcerated, are all implicated in a form of governance that uses prison as a solution to many social, economic, and political problems. Empathy and political awareness are essential to creating systemic change— this exhibition may provoke us to see parts of ourselves in the lives of those on the inside.
Those interested in the accompanying series of public programs around prison reform may include so in their email to Annette Booth.
Includes approximately 90 framed photographs in a variety of sizes. Also included will be an instillation in a vitrine by Jesse Krimes.
Please contact Annette Booth at firstname.lastname@example.org or (212) 946-7128 to discuss pricing.
Beginning Spring 2018
New York Times
Aperture magazine’s “Prison Nation” exhibition is funded, in part, with generous lead support from the Ford Foundation. Additional funding is provided by the Andy Warhol Foundation for the Visual Arts and the Grace Jones Richardson Trust, and the Board of Trustees and Members of Aperture Foundation.